emmav was very efficient and did this ages ago, and thus was very helpful to some of the news reportage of our tour so I'm going to be good and sort this out (with pictures) before it gets too ridiculously delayed! (even though I have lots of other work to do ^_^;;) You may wish to cross reference her write up:
http://emma.sweatdrop.com/2007/07/10/back-from-japan/SUMMARYEmma Vieceli (fellow artist), Emma Hayley (our publisher from SelfMadeHero) and I went to Japan from the 1st - 9th July. We had an AWESOME time.
3rd July - Kyoto International Manga Museum Talk: "The Influence of Manga on British School Children"
5th July - Wacom Interview, Nihon Keizai Shimbun interview, PEN Magazine interview
6th July - Sugiyama Jogakuen University, Nagoya Talk: "Manga Shakespeare - Cultural Translation and Transformation"
7th July - Tokyo International Book Fair meetings
8th July - Tsukuba University lectures series in Tokyo: "Adapting Shakespeare into Manga"
The Amazing people we metI don't really know where to start! First off,
Yoshihara Yukari and
Minami Ryuta - leading Shakespeare Scholars and very fun people! They were very much our guides and got us over to Japan in the first place.
At the Kyoto International Manga Museum, we met loads of lovely people, but alas, their business cards are stashed away a little too secretly. I shall update this when I find them!
From our hotel, we were greeted by Tokura Ayumi, who cabbed us across Tokyo to Wacom's Offices, where we met Ikeda Kazuomi, Tosa Izumi and Ian Chun, who were very gracious and quizzed us about our work methods.
Then we had an interview with Iwamoto Takako, from the Lifestyle section of Nikkei, Nihon Keizai Shimbun - the largest Japanese Financial newspaper basically - who was a real fan of manga (though she tried to hide it!).
At Pen Magazine, we were met by an interpreter, Yoshimitsu Akiko, then went for a photo shoot with Uga Gogo, and were then interviewed by Pen editor Watanabe Yoshihiro and writer Fukasawa Keita. It was a very enjoyable interview!
In Nagoya, we met sooo many important people of the Sugiyama Jogakuen University - Tsukada Mamoru, the Dean, was incredibly friendly and fun! And Hatta Genji, a professor who turned out to be Minami Ryuta's father-in-law was so much fun to be with. We had shabu-shabu with them, and a very influential media critic who was originally going to have a big feature with photography, but unfortunately there was a murder that day which took more priority in the press! At the university, we met the President Izumi Yusuke, and the Chairman of the Board of Trustees Sugiyama Masahiro - both of whom were very kind.
Finally, at Tsukuba university, we met some leading manga experts.
Ogi Fusami (Chikushi Jogakuen),
Fujimoto Yukari and
Yamada Tomiko (Kawasaki City Museum). They are leading Shoujo manga specialists, and gave some enlightening information about the history and evolution of shoujo manga, from the Japanese point of view. I learnt a lot from them! Also at the event was
Shiina Yukari, a writer who is working with Kodansha on their latest international competition. We went to an izakaya afterwards and had a fantastic meal and conversation, can you imagine a table full of female otaku? It was so much fun. There was also a very nice scholar of manga, Yoshimoto Taimatsu, who was lots of fun.
MANGA = COMICS - What did they think of us?The reaction we received from the Japanese press, academics, manga professionals/enthusiasts and the public was phenomenal - welcoming, accepting and eager!
Nobody cared about the whole "manga purist" argument - Manga to them, is comics. And upon looking at our stuff, even cab drivers said, "So, is your manga like Snoopy, or American style? *he looks* Oh, you do Japanese manga! Looks just like ours!"
My personal feeling is that so many western hardcore otaku manga snobs out there consider Global/non-Japanese creators of mangas to be inferior to the Japanese because they are comparing our fledgling works to those of the most popular and successful series to be exported out of Japan. For every cream-of-the-crop title that is available in the West, there are dozens out there which aren't. So I don't feel it is a fair comparison to make. Minami Ryuta agreed with me, and flattered us by saying that our stuff is definitely above average even in the Japanese manga market!
Furthermore, everyone was surprised by how young we were. Most had the impression from our works that we were veterans, and were very surprised that we are only in our twenties. Which is another point to make - most manga artists train as an assistant in a publishing house for years and years working under a better known artist, so they only break out with their own works in their mid 30's onwards.
TONS OF PICTURES!!!
( CLICK FOR MOAR PHOTOS!!! )Anyways, I hope you enjoyed my write up. Sorry it has taken so long. *bows*